she was in so much pain she could barely see through it.
never could she learn to breathe that thick despair, so acrid and tangible, opaque in its way. it was like everything was grey and she was so much bubble-gum in the face of the universe. everything about her was an insignificant half-thought, spiralling, being carried on the back of existence, far beyond her control.
she was unable to pause for breath; everything was equating to all the bruises of life. all the little things piled up and pyred: burning away into despair and frustration. she was a mockery, yes. she'd made a fool of herself, yes. she was a burden, oh yes. over and over and over, the vicious voice in her head distorting and recalling. harsh koans, that voice meditated on. harsh visions it produced. told her she'd pushed them away. told her she'd sickened them - these people she'd grown to love, learned to appreciate, found compassion for and had grown dependant on willingly, at a time when she'd thought she'd reached a dry place, resigned to the strange comfort of alone. at that time, she had found her niche, unasked for but embraced entirely and overwhelmingly. and now everything was so very wrong, stupid, stupid – the maddened voice stabbing wildly at her in a half dream - not coherent enough to counteract, too fleeting to build defences against.
inhaling on her past indiscretions, she'd smoke that cyanide up - she'd invite all that trauma into her universe and let it sit. it was the unreality of her life: all the wrong facts and the half-emptying; every slight, every cold look; every unanswered call and every day spent in an unrelenting solitude.
she knew this all to be false outlook: that the miracle of life was a beautiful thing (hollow words she’d mantra now, without feeling) and that every moment, whether painful or joyous, was a gift to be savoured (she knew this, she really did) but she also knew that there was something blocking her view right now, at this time, here in her head. there was something nauseating in the air of reality, shaping every little knock into its own rosebud of pain, shrouding her perception, scraping and picking at her happiness and her sanity.
and when she found she could not breathe her own existence, she'd smoke that cyanide up and let go.















Comments
wish it was that simple.
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[A r i d i a]
Ridi Kitty Design
[link]
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So, what's your anti-drug?
I can see ideas beginning to be fleshed out here, just dripping with exuded content and powerful association. The use of mantra and koan in a negative way, devoid of the context of the use of illusion to open the senses, is a half-finished but masterful direction in the piece.
please don't take this the wrong way: but it needs revision. Not that you should jumpback on it and try immediately to finish it (although maybe that's your way) .. but i think it helps to give yourself time to assimilate the perspective. many of my pieces are things i wrote years ago, maybe a decade or so ... and then come back, after a year, two, ten ... and reread and changed. Time and again that happens ... two words here, a concept there. Finally, it starts to look like something whole and approachable.
Right now this piece is very personal ... like an Emily Dickenson poem it uses allusions that we (the audience) are not privvy to, and so we must impose our own interpretation onto the words. This is obviously not a bad thing in itself (Emily changed the shape of poetry with her work in a way no other poet has ever done), but it is somewhat loose and the reader is always a little distant from the direction, the action, not ever the spaces between the words (style) but rather the pace, the chain of cause and effect that is the one consistent thing in everyone's experience.
I'd love to reread it some day.
cheers,
--r
2. i'm not sure if youre going for emotion in the reader, but it's hard to accomplish if there is no build up. making this into a short story would be very wise, with a character that the reader sympathizes with. then they can begin to feel.
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the prospect of his future life stretched before him like
a sentence; not a prison sentence, but a long-winded
sentence with a lot of unnecessary subordinate clauses
i often use and abuse punctuation on purpose - and i do have a colon fetish.
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your words flow so well and it makes it easy for us to dive in deeper into your story....very nicely done
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wait......did I really just say that?
i like to try to explore different ways of phrasing words - feelings, thoughts, actions etc that maybe make the reader more aware of what i'm trying to convey. not sure it always works, but i try!!
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"In Ghat they believe in vampire watermelons, although folklore is silent about what they believe about vampire watermelons. Possibly they suck back."
-- (Terry Pratchett, Carpe Jugulum)
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